"You must sit down, then, till I go," said Fleda. "We must find a bench." "Then where is he?" poor Fleda helplessly wailed. She caught herself up, however; she did her best to be brave and clear. Before Mrs. Gereth could reply, with due obviousness, that this was a question for her not to ask, but to answer, she found an air of assurance to say: "You simplify far too much. You always did and you always will. The tangle of life is much more intricate than you've ever, I think, felt it to be. You slash into it," cried Fleda finely, "with a great pair of shears, you nip at it as if you were one of the Fates! If Owen's at Waterbath he's there to wind everything up."!

"Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises. "I'm very glad to be at home," Fleda responded.

"It certainly isn't worth it!" When, as criticism deepened, Fleda dropped the suggestion that some people would perhaps see something in Mona, Mrs. Gereth caught her up with a groan of protest, a smothered familiar cry of "Oh, my dear!" Mona was the eldest of the three, the one Mrs. Gereth most suspected. She confided to her young friend that it was her suspicion that had brought her to Waterbath; and this was going very far, for on the spot, as a refuge, a remedy, she had clutched at the idea that something might be done with the girl before her. It was her fancied exposure at any rate that had sharpened the shock; made her ask herself with a terrible chill if fate could really be plotting to saddle her with a daughter-in-law brought up in such a place. She had seen Mona in her appropriate setting and she had seen Owen, handsome and heavy, dangle beside her; but the effect of these first hours had happily not been to darken the prospect. It was clearer to her that she could never accept Mona, but it was after all by no means certain that Owen would ask her to. He had sat by somebody else at dinner, and afterwards he had talked to Mrs. Firmin, who was as dreadful as all the rest, but redeemingly married. His heaviness, which in her need of expansion she freely named, had two aspects: one of them his monstrous lack of taste, the other his exaggerated prudence. If it should come to a question of carrying Mona with a high hand there would be no need to worry, for that was rarely his manner of proceeding. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"